For over 10 years, we have been presenting our works under our pseudonym "DRMLZ". We are two graffiti artists who have known each other for more than 20 years, continuously inspiring and influencing each other creatively throughout this time. Our pseudonym is a combination of our two artist names.
Above all, "DRMLZ" represents a long-standing friendship that goes far beyond graffiti - characterized by mutual support in all aspects of life.
"DRMLZ" is the perfect combination of a shared passion and an intuitive understanding of our common goal. From the first idea to the final execution on the wall, we work hand in hand as a well-coordinated team.
It all began in the early 90s during my school years. My first attempt at a legal wall was in 1994. From that point, everything took off and continued to evolve. My most intense creative phase was around the turn of the millennium. Today, graffiti no longer holds a central place in my life - and that's just the way it should be. It's more like the cherry on top of the cake: a creative hobby I pursue in my limited free time. I've been spraying under my artist name since 1999, and that’s unlikely to change. However, there was an almost ten-year break when I wasn’t active.
My current letter forms are intentionally unconventional. Uppercase meets lowercase, simple and minimalist letters sit alongside abstract shapes. Over the past two years, my style has become more organic, wilder, and increasingly surprising. My name doesn’t necessarily need to be legible - sometimes I even intentionally omit key elements of letters. I enjoy rotating letters horizontally or vertically, depending on my mood and inspiration.
A distinctive feature of my work is the fluttering outlines. I deliberately play with offsets and shifts to create dynamic effects.
The combination of individual letters and the overall arrangement provides me with a vast artistic playground - and that's exactly what I love about it.
Let’s see where the journey takes me next!
Like many graffiti beginners, it was a classmate who introduced me to the world of graffiti and sparked my interest in letters. By the late 90s, I had fully immersed myself in graffiti. After my first attempts with a spray can, I quickly connected with established writers in my hometown.
During my early years, I focused on experimenting with different letter combinations to discover which ones harmonized best. From this experimental phase, the letter combination "MALZ" emerged. However, this combination doesn’t carry any deeper meaning for me.
There was a longer period in my life when I completely paused graffiti. It’s only in recent years that my interest in it has returned. Since then, I’ve re-engaged with graffiti, though it doesn’t dominate my daily life. For me, graffiti serves as a creative outlet and a counterbalance to my professional career - free from obligations or strict schedules.
In my day-to-day job, I often work with typography, shapes, and colors. These influences are reflected in my graffiti work as well.
After years of expressing myself through very abstract and often illegible letter forms, my style has recently become more legible. Like graffiti itself, I am in a constant state of evolution - a process that is clearly visible in the visual language of my artworks
For over 10 years, we have been presenting our works under our pseudonym "DRMLZ". We are two graffiti artists who have known each other for more than 20 years, continuously inspiring and influencing each other creatively throughout this time. Our pseudonym is a combination of our two artist names.
Above all, "DRMLZ" represents a long-standing friendship that goes far beyond graffiti - characterized by mutual support in all aspects of life.
"DRMLZ" is the perfect combination of a shared passion and an intuitive understanding of our common goal. From the first idea to the final execution on the wall, we work hand in hand as a well-coordinated team.
It all began in the early 90s during my school years. My first attempt at a legal wall was in 1994. From that point, everything took off and continued to evolve. My most intense creative phase was around the turn of the millennium. Today, graffiti no longer holds a central place in my life - and that's just the way it should be. It's more like the cherry on top of the cake: a creative hobby I pursue in my limited free time. I've been spraying under my artist name since 1999, and that’s unlikely to change. However, there was an almost ten-year break when I wasn’t active.
My current letter forms are intentionally unconventional. Uppercase meets lowercase, simple and minimalist letters sit alongside abstract shapes. Over the past two years, my style has become more organic, wilder, and increasingly surprising. My name doesn’t necessarily need to be legible - sometimes I even intentionally omit key elements of letters. I enjoy rotating letters horizontally or vertically, depending on my mood and inspiration.
A distinctive feature of my work is the fluttering outlines. I deliberately play with offsets and shifts to create dynamic effects.
The combination of individual letters and the overall arrangement provides me with a vast artistic playground - and that's exactly what I love about it.
Let’s see where the journey takes me next!
Like many graffiti beginners, it was a classmate who introduced me to the world of graffiti and sparked my interest in letters. By the late 90s, I had fully immersed myself in graffiti. After my first attempts with a spray can, I quickly connected with established writers in my hometown.
During my early years, I focused on experimenting with different letter combinations to discover which ones harmonized best. From this experimental phase, the letter combination "MALZ" emerged. However, this combination doesn’t carry any deeper meaning for me.
There was a longer period in my life when I completely paused graffiti. It’s only in recent years that my interest in it has returned. Since then, I’ve re-engaged with graffiti, though it doesn’t dominate my daily life. For me, graffiti serves as a creative outlet and a counterbalance to my professional career - free from obligations or strict schedules.
In my day-to-day job, I often work with typography, shapes, and colors. These influences are reflected in my graffiti work as well.
After years of expressing myself through very abstract and often illegible letter forms, my style has recently become more legible. Like graffiti itself, I am in a constant state of evolution - a process that is clearly visible in the visual language of my artworks